Don't judge because they're Arabic and don't underestimate them because they're writing lyrics also in Arabic but meeting with this Bahraini Black Metal duo of Narjahanam (means Hellfire) could giving you a new prespective experiencing the taste of underground music right from Arabian Kingdom territory not too far from their holy cities. Lead by Busac (guitars, drum, programming) and bassist/vocalist Mardus; Narjahaman endorsing their trademark mix of both Black Metal classics, Gothic influences and of course - the traditional Arabic symphonies and folklores onto their sounds which really makes a difference progeny for this type of metal scene but still definitely carrying the triumphant of brutality for most of their works. Wa Ma Khufiya Kana A'atham (More Wicked which Remains Unseen) must be sounded unique in its own self-confidence way for the consuming of non-arabic world but never fear cause this record will speaks for itself as soon as then one can trying to find the hidden meaning behind thus local translated machine for these each track-titles. You shall love to hear the growling vocals and the oddities tempo played by the duo but they're still listenable to be appreciated carefully; like Qudoom Al-Sultan,S ymphoniyat AlMowt (The Symphony of Death), Ma Bayn Al-Thulumat to La'anat Looha or Sulaiman - which carrying the softer Folkish side from the Peninsula. As the sand of times slowly fading away by on the Middle East, the lurking evil that awaits shall facing the old greedy beliefs for what still left to feast while they didn't know that the new day might crawling underneath the dunes to once again reforming the unveiled permanent freedom without liar regimes or leaders but supreme power of the beauty enlightment through the long forgotten truth ...Link:
https://youtu.be/j46Piu5e8pM
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