
Feel
the powerful essence of Progressive Metal music with more than less percentage
on the miraculous parted rootsy taken from either NWOBHM, Heavy Rock or
Folk-Metal as the themed tracks and lyrics telling us about the most medieval
or ancient ideas meet the modern shredders and melodic solos from guitarists
John Cobbett or Leila Abdul-Rauf (whom also playing trumpet and doing backing
vocals) and the blasting clean drum-set beats from Will Carrol and Paul Walker’s
bass-lines as well as Sigrid Sheie performing piano and organ for these San
Francisco/Montana’s band led by their frontman – Joe Hutton and his
high-ranging great vocals which making the sounds made by Hammers of Misfortune
really amazing to listen and head-bangers would easily happening during the
bursting music of metallic-based like explorations used to performs over the
shows of bands like Saxon, Maiden, Accept or Deep Purple’s legacy shortly,
re-incarnates upon this particular Heavy sounded group.
Releasing the album of
Dead Revolution; exploding the semi-heavier noise on track by tracks
theme-mainline tales of politics, war, conceptual storylines to fantasy with
the similarity of Metallica’s affections towards Sea of Horses - by the riffs,
seven minutes longer of experimental opener song on The Velvet Inquisition or
Here Comes The Sky and the ending of Days of ’49 that truly would never letting
any Metal-Heads down because this recording is really needs to get more
freaking attentions from the media of Rock.
Nothing quite like it – just like
KISS having an affair with Queen under the bridge cursing days of love and
replacing it with evil technologies taken over the global error-dome plans; too
eager too soon to explodes for being nothing …
Dead Revolution:
https://hammersofmisfortune.bandcamp.com/
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