

The collaborations between
sisters (actually, not as siblings) but more to thus similarity upon musical
capability, related favorable thoughts or traditional based purifications
through essential themes and semi-occult as Psychedelic American primitives of
Appalachian Folk-experiments and the same inhabitants of Ashville, North
Carolina; spiritual chanting, harmony vocals and collective musical instruments
performance between the duo of House and Land – Sally Anne Morgan (fiddle,
shruti box, banjo, vocals) with Sarah Louise Henson (vocals, 12-strings guitar,
shruti box, bouzouki) quickly re-discovered through the lens of love format on
tradition music sets in a live/acoustic considers spaces around them in
simplicity and adornment while these Appalachian ballads or the tuning session off
this self-titled recording may revealing the essential secrets surrounding the
creation of mankind or couple; as the serpents guiding the corner side of the
circle or eating preys as the music fulfilling the pure things in spartan beautiful
works like this one.
Play their music for Guide Me O Thou Great Jehovah, False
True Lover, Listen To The Roll, Home Over Yonder and Rich Old Jade
non-mistakenly would deprived from the real stories telling via the strings
arrangements or percussion played by Thom Nguyen as being blessed by the
spirits of the old desert or the delta rivers.
House and Land:
https://sarahlouise.bandcamp.com/album/house-and-land
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