

Really the news about a new
band from Seattle – Washington isn’t just a cheap hoax to some illegal fanatic
whose keeping their beliefs that someday the entire army of Seattle Sounds
shall coming back to reclaiming their spot and capital city back but to be
honest; you don’t have to wait for any of that predictions or prophecy because
almost every-day there’s always pops new bands like the story of Kinski; the
four-piece deconstructed Avant-Garde Rock group that evoking the unique teaser
of their parts known to be served and sharing towards the many publicity
audience who likes to have Indie-Pop and Alternative Rock characters as daily
flavors since the late nineties era until now. Comprised by the influential
sounds like washing machine’s power surge of Tommi Iommi but more than less
erupts through those experimental cargo six-strings, Sonic Youth-based
atmosphere onto majestic ozone fuzz-propellers in swirling textures in between
Garage Rock and Tool’s aura. The quartet of Chris Martin, Lucy Atkinson,
Matthew Reid-Schwartz and Barrett Wilke delivering their instant spontaneous
ideas and riffs to be mend as blending
thicker with distorting buzzing and emotion-less fear on making something new
in their opinions.
For the band's Down Below It’s Chaos recording; the songs of Dayroom At
Narita Int’l, Boy Was I Mad, Crybaby Blowout, Plan Steal Drive and Punching
Goodbye Out Front easily reminds you about how amazing the flashback for Thurston
Moore and co. used to be sounding like the first year of their career.
Down Below It's Chaos:
https://kinskiseattle.bandcamp.com/album/down-below-it-s-chaos
0 Response to "Password Alcohol (Sub Pop 2007)"
Post a Comment