

Long term relationship
with Kelly Frears and the last December flight of the obsessed system engineer
on traveling the world for his productive schedules with Fed-Ex ruins as the sudden
struck of fatal plane crash into the ocean somewhere around the Pacific area
(un)luckily, escaping him to survive, clinging to the raft and unconscious to be
washed up to an unknown and non-inhabitant island where there Chuck Noland must
awake his nightmare for being stranded alone by exploring around, finding food
and shelters and hopefully, waiting to be discovered. Alan Anthony Silvestri
the music composer really make some good progress for Robert Zemeckis sadder and dramatic of the survival of Mr. Noland’s Cast Away movie back to the
civilizations after his five years of being missing since the crash. Having
packages of Fed-Ex ashore as his equipment to catch fishes, shoes from the dead
pilot, coconut diet and raw crabs before he can make fire and have a friend to
talk to – Wilson the volleyball.
Counting his loss and hopes while waiting for
the right moment to – either throwing himself from the high cliff or making
boat to crossing the vast almost uncountable size of the ocean ahead as the
tracks of instrumental composing for the sadder story, tragedy of mourning and
the far more sadly – reuniting the permanent separation between Chuck and Kelly;
right from the iconic Opening Titles, What The Tide Could Bring, I’m Sorry
Wilson, Drive to Kelly’s to the End Credits really did making the audiences
drifted along this melodramatic times with one of the best acting from Tom Hanks
before the package with thus wings of angel leads him to choose his own
decision – meeting a new face, new place and new home.
Link:
https://www.youtube.com/playlist?list=PLLhu_aWzuRcg2Reb3mwNDEQMVFQNM1mK_
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