Gaining their notable success
off the releasing Electronic-Industrial music together as a duo from Pittsburgh
as the strangely performance and loud hi-tech and lower standard echoes of
effects from thus noises experiments, horror themes and apocalyptic predictions
over the written lyrics comes alive within the killer beats, operating sonic
assaults, bent circuit devices; full scale aggressive as eccentric Dancefloor
complex chaos attacks provides with the group’s terror-beats performed by Greg
VanEck and Nikki Telladictorian.
Reminding us for the modern age tunes mixed
with old earlier days of Nine Inch Nails using female intuitive vocals as these
rhythmic noises over the fifth album on Plague Called HuMAnity did pushing the
elemental limits for nudity and crushing tempos led by Blackmagick Tongue,
False Prophets (Interlude), Confronting Pandora, The Weeping and Gnashing of
Teeth right through Overture Fusillade with the finishing touch written by the
infamous psychotic Ministry crew.
The torturing scene and the sights on sexual
punishments are the real noises of modern lives we’re messing in.
Plague Called Humanity:
https://prometheusburning.bandcamp.com/album/plague-called-humanity
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