For the silliness in
liking the eccentric sounds discovery or becoming the products dairy off
semi-legend names like The Pixies, Ween, Beck, The Violent Femmes and The Dead Milkmen, Peaches to Mr. Bungle or the
newer teams such as Shannon and The Clams, Maclamore, No Binny or Portugal The
Man; artists like Saucy Yoda wasn’t an
actual loner over thus Riotgrrrl power-violence to the groovy Doo-Wop meets
Hip-Hop and Rap-Pop modern before being sparying with Garage Punk rebels
attitude that makes the Portland’s sounds of a grandma shaking the rumps aloud
in the hot afternoon may mashing-up your feelings as festivals to bars to
coffee café and strip-clubs turning to a parade of barnyard hoes losers and rainbow
warriors as this female figure brought her fantastic positive fun party music
towards your dull corner alleys or neighborhood. Pushing boundaries as Return
Of The Douche shows us the crazy Viking urban teenagers and horse-riding
actions over the broken school bus and thirteen tracks getting ready to shaking
your hips to dance like a motherfucker before tonight the planet’s blowing into
pieces.
Feel sorry not and trying not to looks too guilty because with Saucy Yoda;
wiser words may only flowing with thus rhythmic automatically tells how
Knobhoppers witnessing Bertha vs Ursula cat-fights by the artist’s mouth for
those whom wanna having a good time not dickheads. Listen as usual as Slimeball
Drivebye, One-Legged Jesse, Grabage Pail Kid, White Lies onto Helmet Head and
Rotten Oranges and Angel Weiners are the releasing without parental labeling and
dolly grip got shot bleeding scene is just a scene ideas made by a non-popular
slut female.
Return Of The Douche:
https://saucyyoda.bandcamp.com/album/return-of-the-douche
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