The absence of frontman Fish and dealing with the new
replacement might gave the progressive rock band Marillion problems to be
solved while entering the hard environmental music year in the nineties. 
Formatting
their prog-rock sound with too much soft rock than modern pop approaches might
seemed to look like a career suicide or a cheap sell-out (when mostly bands
trying to have fresher sound and looks at that time). Suits well with the simple album title Brave; Marillion trying to gamble in promoting Steve Hogarth voice and their remarkable progressive ensemble with framings and long solos for almost each of every songs like a bind of winding road to choose by someone.
Pete Trewavas, Mark Kelly and Ian Mosley sounded eagerly for keeping up with guitarist Steve Rothery in a dare combination like ELO meets The Wall.
Tracks palyed by a sour girl in front cover whining about the alienated big city with every of its glooming lights corners having their each own story to tell; Bridge, paper lies, The Opium Den, The last of You and The Hollow Man are reluctantly soothing few of its listeners in a climax zenith of progress within chorus and longest confusing artful lyrics.
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