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Downtown Vain Lights (BMG Records 1995)





Not because of the images of Bohemian living broadway with thus she-males and men’s whores celebrating the break-up and the joyous art of desires and sad monsters dwelling inside Annie Lennox’s head. Rather than letting herself becoming crazy, the frontwoman of Eurythmics decided to draw her own lines on this perfectly weird album – Medusa. Instead of just falling in love with its single hit No More “I Love You’s”, everyone should also noticing the other tracks which are forbid to ignore here. Poppier character on Take me to the river or the colder cover version of  Procol Harum’s A whiter shade of pale will convincing some to put more respect to this woman. Her performance on presenting the desperation on I can’t get next to you or The Clash tribute Train in Vain; showing the progress of self-developing for a more mature side Annie. Walking on a electronic pop and gospel soul wire seems becoming a determined wheel of fortune for Medusa album and shady whispering breath of Summer onto the Autumn’s gloom might effectively fits to labeling this record with three stars.






Links:
http://redmp3.cc/mp3-annie-lennox/2
http://www.annielennox.com/

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