

What’s
left behind as the legacy from your Psychedelic era or Hippie-flower
generations is these Tokyo, Japan mesmerizing musicians or group calling
themselves Kikagoku Moyo (meaning geometric patterns) that instead of forcing
themselves forged into the Japanese culture completely, learning some
influences from the Hindu’s cultural elements and beliefs straight in India as
the historic format sounds from Indie Rock, Progressive Music, Psychedelic and Worldwide sequences all made in coalition
within the band’s performers from Go Kurosawa, Tomo Katsurada, Daoud Popal to Kotsu
Guy and the eccentric sitar player - Ryu Kurosawa as might being called as the
band’s soul searcher commencing their music towards the great various choices
between modern and classic as the atmosphere being build within the massive
tones as proven through the second recording release – Forest of Lost Children
that reflecting respectively most of thus wisdom spreading within the last era
of the sixties and the late seventies even not mentioning the failure of it as
well for protesting in peace about designated issues on human civil rights but
might getting paid off several years later in a different decade by this
Japanese band. Re-written the essential lyrics and pure messages of
non-aggressive topics via the melodious music talents and self-esteem of
collective souls off the band; the recording sprouting some of their beloved
and awesome long-jamming of Prog-Rock popularity interactive attractions on Kodama,
Semicircle, Smoke and Mirrors as well as Street of Calcutta – grasping excellent
via permanent measurements about reality sounds within the hallucinated realm …
Forest of Lost Children:
https://geometricpatterns.bandcamp.com/album/forest-of-lost-children
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