
Naoko Yamano on vocals/guitars, Michie
Nakatani or Emi Morimoto onto Atsuko Yamano on bass/backing vocals and Risa
Kawano on drums/vocals used to be just an ordinary but unique resistance of
all-female Pop-Rock band from Japan turning international legend as these Osaka
girls trio hits their popularity as checking names of the constant acts of
Alternative era somewhere in the 90’s as well as the loving much for
inspirations spirits and energy mutual drawn from The Ramones; going to make
their legacy so colorful like the album covers to their musical project
releases as well for then, another next generation groups of local society and
beyond giving their loves and supports to their idols as Fork & Spoon - A
Tribute to Shonen Knife is there as reality which consisted off names like
several listeners might not familiar with or truly like spawning from the
middle earth theory tales perhaps – shows how the perspective from Shonen Knife’s
delivering lyrics and song-writings creates their own realm and fans so far
collectively, comes as they’re to play the covers for themselves not the
company or profits.
One may goes on side to side within Nikaido Kazumi singing
or moaning the acoustic Folk version on Tortoise Brand Pot Cleaner’s Theme,
Zoobombs over Burning Farm, Mo’some Tonebender as well as DMBQ onto Koumoto
Hiroto and Eastern Youth bursting the Garage-Pop and Indie Rock progressive
percussion and mid-tempo distortions via Concrete Animals, Buddha’s Face and
Elmer Elevator and much more in between these ten tracks and the mythical fornt
artworks of unicorn girl meets the sea dragon that the various artists did
pretty well program ans simple but not that simple musical works to hear by
newbie while Alternative seems to be out of grasps stepping for the new
millennium and might go extinct – being killed by Bloodthirsty Butchers and
friends ?
V.A Tribute to Shonen Knife - Fork & Spoon:
https://itunes.apple.com/jp/album//259994833?l=en
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